1702-1789 Swiss Jean Etienne Liotard Gallery He began his studies under Professor Gardelle and Petitot, whose enamels and miniatures he copied with considerable skill. He went to Paris in 1725, studying under J. B. Masse and François Lemoyne, on whose recommendation he was taken to Naples by the Marquis Puysieux. In 1735 he was in Rome, painting the portraits of Pope Clement XII and several cardinals. Three years later he accompanied Lord Duncannon to Constantinople. His eccentric adoption of oriental costume secured him the nickname of the Turkish painter. He went to Vienna in 1742 to paint the portraits of the imperial family. Still under distinguished patronage he returned to Paris. In 1744 he visited England, where he painted the princess of Wales in 1753, and went to Holland in 1756, where, in the following year, he married Marie Fargues. She also came from a Hugenot family, and wanted him to shave off his beard. Another visit to England followed in 1772, and in the next two years his name figures among the Royal Academy exhibitors. He returned to his native town in 1776. In 1781 Liotard published his Trait?? des principes et des r??gles de la peinture. In his last days he painted still lifes and landscapes. He died at Geneva in 1789. Liotard was an artist of great versatility, and though his fame depends largely on his graceful and delicate pastel drawings, of which La Liseuse, The Chocolate Girl, and La Belle Lyonnaise at the Dresden Gallery are delightful examples, he achieved distinction by his enamels, copperplate engravings and glass painting. He also wrote a Treatise on the Art of Painting, and was an expert collector of paintings by the old masters. Many of the masterpieces he had acquired were sold by him at high prices on his second visit to England. The museums of Amsterdam, Berne, and Geneva are particularly rich in examples of his paintings and pastel drawings. A picture of a Turk seated is at the Victoria and Albert Museum, while the British Museum owns two of his drawings. The Louvre has, besides twenty-two drawings, a portrait of Lieutenant General Hrault and a portrait of the artist is to be found at the Sala di pittori, in the Uffizi Gallery, Florence. While his son also married a Dutch girl, the Rijksmuseum inherited an important collection of his drawings and paintings.  Related Paintings of Jean-Etienne Liotard :. | Marie Adalaide | Morie-Adelaide of France Dressed in Turkish Costume | Dame franque vetue a la turque et sa servante (mk32) | simon lutrell of luttrelstown, c | Self-portrait |
Related Artists:
School of Fontainebleau
ca 1550
Horace pippin
1888-1946 was a self-taught African-American painter who worked in a naive style. The injustice of slavery and American segregation figure prominently in many of his works. He was born in West Chester, Pennsylvania, and grew up in Goshen, New York. There he attended segregated schools until he was 15, when he went to work to support his ailing mother.Pippin served in the 369th infantry in Europe during World War I, where he lost the use of his right arm. He said of his combat experience: His activity as a painter did not begin in earnest until 1930. One of his best-known paintings, his Self-portrait of 1941, shows him seated in front of an easel, cradling his brush in his right hand (he used his left arm to guide his injured right arm when painting). His painting of John Brown Going to his Hanging (1942) is in the collection of the Pennsylvania Academy of the Fine Arts in Philadelphia. Among Pippin's works are many genre paintings, such as the Domino Players (1943), in the Phillips Collection, Washington D.C., and several versions of Cabin in the Cotton.
Jean Baptiste Oudry
French Baroque Era Painter, 1686-1755 French painter. He was the principal animal painter and one of the foremost decorative painters during the first half of Louis XVs reign. After initial training as a portrait painter, he concentrated on still-lifes; by the 1720s he had also begun to establish himself as a specialist in hunting scenes, game-pieces and portraits of animals. He ran an active workshop, often keeping his best originals for years and selling copies and (more or less autograph) variants. In the 1730s he was most active as a tapestry designer, making numerous designs for the royal tapestry works of Beauvais and the Gobelins, and he continued to produce his brilliantly painted hunts, still-lifes and studies of animals and birds to the end of his career.